Don’t just take my word for it; here’s what my clients have to say about working with me.
‘After a couple of years working on my fifth novel, I had lost track of what I was trying to achieve. Nicky’s editorial report helped me enormously. She appeared to understand the book better than I did, and she gave me the encouragement, suggestions and practical solutions I needed for tackling the subsequent edit. I am very glad I sent my manuscript to her.’
Emily Benet, independent and traditionally published author
‘As a first-time author, I asked Nicky to prepare a short review of the manuscript before going on to do the copy-edit. I was thrilled to get her report which was not only a comprehensive analysis of my own style, but also a fascinating insight into writing techniques which covered all aspects of the novel including plot, characterisation, point of view, pacing and tension, dialogue, language and style. The copy-edit that followed was thorough and detailed. I had never imagined how much work would be involved converting my relatively crude manuscript into something that looks professional and I can’t thank her enough. As a result of her input and comments, I am supremely confident I have a much better book.’
Norman Hall, author, Good Girl
‘I chose Nicky from a field of six experienced and well-qualified indie editors who had been recommended. I was immediately heartened by her enthusiasm for my MS and my writing style, and by the fact that she was broad-minded enough to immerse herself in the mire of what I (sorry … Richie) had written. Nicky’s enthusiasm shone through beyond her final edit, style sheet and re-worked synopsis. I would wholeheartedly recommend Nicky’s services, and I have already booked in a developmental edit of my current project, The Killing of Richie Malone. I regard commissioning Nicky as money really well spent, and I have total confidence in her judgement, editorial suggestions and professionalism.’
Richard Grainger, ghostwriter of Richie Malone’s Losing The Plot
‘I chose Nicky to do a developmental edit of my manuscript on the basis of her qualifications and clear website. As this is my first novel, I was unsure about what to expect. I shouldn’t have been worried. Nicky went the extra mile to thoroughly read my nearly 100K novel. She picked apart my work, breaking it down to see how the elements worked, and then brought them back together to assess the whole. The process and outcome were extremely informative: she had spot-on observations and comments, summarised themes and storylines so clearly, and more than that, she suggested something central about the story which had not occurred to me. This was an investment I’m glad I made and I would engage Nicky’s services again without hesitation.’
Collette Ridley Fard, author, Running Back
‘After enjoying Nicky’s expertise and support to edit my historical novel Rodanthe’s Gift, I had no hesitation in turning to her for help with my latest project, Explore Kritsa. In this non-fiction guide to a village on the Greek island of Crete, I needed to convey my affection for Kritsa plus historical and cultural facts in my chosen light-hearted style. In the second part of the book I ‘lead’ people on walks in the village and countryside so need to provide clarity. As expected, Nicky delivered well in these areas by checking facts, probing and offering solutions to muddled sentences. However, I hadn’t realised my sketch maps also needed checking, and her attention to detail will prevent me losing readers on hillsides and in olive groves.
Nicky added particular value by identifying I’d skipped over places to eat and quite rightly pointed out the importance of food to the success of a holiday. As a result, I rewrote the chapter and now it is one of my favourites.
By understanding my aims, and putting herself in my reader’s walking boots, Nicky ensured my book is as good as it can be.’
Yvonne Payne, author, Explore Kritsa
‘Nicky stepped in as my developmental editor in the middle of my mystery series. If I weren’t already committed to my other editor, I would definitely hire Nicky for the rest of the series. She juggled the big-picture story and red-herring details with skill and grace. Her comments were precise, constructive, and encouraging. Nicky’s insights into my characters were so spot on that I laughed out loud when I read her memos! I recommend her without hesitation to anyone who wants a full manuscript assessment and edit.’
Rose Donovan, author, The Mystery of Ruby’s Stiletto (Ruby Dove Mysteries Book 4)
‘Nicky is a wonderful person to work with. She is timely, thorough, kind and has the ability to suggest improvements, increase clarity and help the writer become better by offering constructive guidance. I enjoyed learning loads in the process. The editorial style sheet that she provides is set out in a professional manner, and Nicky is generous with her time in answering questions and also offering advice with back cover blurb and cover design. I would definitely work with Nicky again.’
LA Naylor, author, The Land of Trees
‘Nicky did such a good job on my debut novel, Good Girl, that I didn’t hesitate to ask her to edit my second one, entitled The Awakening. I had to book her several months in advance, but she carried out the work as arranged, on time and to a very high standard. She is a pleasure to deal with and I can thoroughly recommend her. When I get round to writing another, she will be my only choice.’
Norman Hall, author The Awakening
‘Nicky’s editorial report on my novel’s manuscript was impressive; her comments were extensive, detailed and concise, while proposing practical solutions to various issues. She is meticulous, professional and caring. I can’t recommend Nicky’s services highly enough.’
Ioannis Sideris, author, A Fall in Paris
‘Nicky has written three editorial reports for Betterwrite Literary Consultants and all have been excellent: penetrating, comprehensive and judicious. In the field of fiction she clearly has a high level of professional ability as a development editor. She is also co-operative and reliable, and good to work with. I would recommend her without hesitation.’
Rob Matthews, Director, Betterwrite.com, literary consultants
‘My second novel, Rodanthe’s Gift, is historical fiction based in Greece during Ottoman oppression. As a sequel to Kritsotopoula, Girl of Kritsa, it develops three characters I came to know and love, despite their flaws.
After working on the new story for over two years, self-doubt held me back from completion. Nicky used a questionnaire to understand my aims and concerns and then provided clear and logical analysis to underpin her constructive feedback with welcome suggestions for reworking. Thanks to Nicky’s objective appraisal I gained confidence and motivation to continue.
Once completed, Nicky conducted the line/copy-edit within agreed timescales, ensuring clarity and mutual understanding with a style sheet. This led to a thorough, empathetic and collaborative editing experience that I look forward to repeating.’
Yvonne Payne, author, Rodanthe’s Gift
‘Working with Nicky is a delightful experience. She was my editor on the covering letter for my novel, as well as its synopsis. She helped me improve and tighten my query and I believe it’s where it needs to be for submission to agents. Thank you, Nicky, for your expertise and your input!’
Ioannis Sideris, author, A Fall in Paris
‘I am grateful for the opportunity to praise Nicky Taylor’s superb skills as a proofreader and editor. I have now published two books which, without her skilful intervention, I know would still be resting in the back of my hard drive.
When we first started working together she took my very raw manuscript and, having read it, convinced me that she could make it fit to publish. I remember feeling a surge of confidence from her encouragement and set to work with a will on the corrections and suggestions she provided to me. I still marvel at the level of detail unearthed by the scrutiny she applied consistently over the whole novel. No errant comma was missed and no section of text was left leaving the reader puzzled by the meaning.
Relentless in her application to ensure the text was as flawless as possible she nonetheless presented her corrections in a caring and gentle manner. This attribute I found essential as it fostered an excellent relationship between writer and editor.
I have no hesitation in recommending Nicky’s editorial administrations to both established writers and those setting off on the tortuous path of writing. She can and will make that path much easier.’
William V Kelly, author, Until the Fat Man Sings, Place in the Sun
‘I couldn’t have been more pleased with Nicky’s editing of A Crazy French Rhythm – my first attempt at a novel. It came in exactly when she said it would, and although I was reasonably pleased with what I had written, Nicky had tightened it up beautifully, allowing the narrative to flow far more easily. Her editorial style sheet was incredibly helpful, and her observations of my writing habits embarrassingly accurate! Including overuse of exclamation marks!’
Carolyn Ross, author, A Crazy French Rhythm
‘I contacted Nicky Taylor to discuss my first book. Within a few minutes of our conversation I knew I had found the right person to help me. Highly recommended. Professional and prompt.’
Jimmy Callaghan, author, Find Me Fame
‘I’m indebted to Betterwrite for the time and diligence they gave to my novel. I particularly appreciated the observations from Nicky during the development edit, which both tightened the narrative and gave it greater coherence.’
Nick Corble, author, The Bond (or Last Man Standing)
‘I just went over all your corrections to prepare the first few layouts. And I just want to let you know how glad I am to have you! 🙂 Your suggestions are always great and really feel like “my language” in the end. That’s really taking pressure off from the hectic process – thanks for that support and your great work!’
Stefanie Köhler, Publisher & Editor | CUVÉE & other media